The Big Sleep | The Thermals

This show sold out pretty quickly. The big sound of The Big Sleep would finally get a bigger stage. They came out pretty strong playing some of my favorite songs but very few new ones. Although I’m eager to hear some new material, it’s always great to experience this band live. I felt the sound wasn’t perfect at Bowery, and as usual the vocals suffered the most. Regardless, they added more fans to their base. Congratulations on the birth of the twins.

The crowd was anxious for The Thermals, and I couldn’t blame them. Their new album was really good and they have developed their sound into a slightly new direction. And the songs “Pillar of Salt” and “Here’s Your Future” was a recurring anthem for me the previous year. The band was pure energy, playing one song right after another. They never took a break, and either did the crowd. The fans were moving, dancing, singing to every song and really elevated the show. Although I felt the set of songs became a bit monotonous, they would sprinkle in some of their more guitar catchy ones to maintain the momentum. The lead singer and bassist constantly moved around the stage and kathy’s hair was always bopping back and forth to the songs. It was a genuine fun night and the Thermals made sure of that.
Links:
Pictures from the show.

http://thebigsleep.net/
http://www.thethermals.com/
Pillar of salt video

Ayano Kataoka & Joshua Quillen | Explosions In The Sky

I got 2nd row tickets for the third part in the Wordless Music Series. It took place in a church-like concert hall at the Society for ethical Culture. Ayano Kataoka, a native from Japan, started the night with a riveting solo percussion performance. She was then joined with Joshua R. Quillen to play two songs on two enormous marimbas. I was especially moved by their performance or Steve Reich’s “Nagoya Marimbas”

I finally get to see Explosions in the Sky again and this time showcasing some new material form their new album that got released that day. This 4 piece instrumental band has seen a huge rise in popularity despite not being on the radio, avoiding all Live Nation/Clear Channel venues, and not signing to a major. Their triumphant emotional songs shook the building. They started the set with “All of a Sudden I Miss Everyone”, the title track off their new album. Although expected to only play 4 songs, they gave us a few more which made the night even more special. The space quickly became consumed with their soundscapes and didn’t let up until they finished an hour later. As usual they played through each song without any breaks and left the stage exhausted. I was on the edge of my seat the entire show and the venue and sound system was perfect for the perfromance. I was so impressed by this band and completely captivated by their live performance once again. Definitely the show to beat for 2007.
Pictures from the show.

Links:

pics and mp3 from 2005 show.

http://www.explosionsinthesky.com/

Gary Higgins | Castanets @ Mercury Lounge

Castanets played a psychedelic set reminiscent of the drones of Velvet Underground. The band seemed a little bit insecure on stage and very poor stage presence, but teh music was good, and a good primer for Gary.

I couldn’t believe that I was actually seeing Gary Higgins play live. His album Red Hash was heavily played on my system in 2005, despite being released back in 1973. It got a second life when someone from Drag City got it from Ben Chasny of Six Organs of Admittance. After many months calling all the Higgins in phonebooks, they found him in Connecticut. The album was recorded right before Gary was sent away to the “big house” for drug charges and didn’t get adequate distribution.

I counted a dozen guitars on stage when Gary took the stage wearing a gleaming white NY Yankees baseball cap. With him were 4 other musicians including a very funny cellist that blurted out “You can do it!” every so often. I’m glad that he is finally getting to play his wonderful songs, that don’t sound dated, to eager audiences. Although my only complaint was that the set list was too long, I was won over by his psychedelic folk songs. Maybe he’ll release a “new” album.

Pictures from the show.

Frida Hyvönen | Jens Lekman @ Mercury Lounge


At first I was pissed that the late show at Mercury Lounge got pushed back even further, but I was very excited to find out that Frida Hyvonen was going to open up. She is also from Sweden and played these very emotional and intense songs. At times soulful, and then sometimes downright hilarious. She would eat 1 grape before each song that I thought was quite sexy.

I passed up seeing Jens Lekman play at Bowery and opted to see him play solo in a more intimate space. He is one of those performers that can captivate an entire crowd with only his voice and guitar. Jens is an incredible performer, has confident stage presence, and his live performance is even better than his recordings. His set included a surprisingly large amount of crowd participation for a NY crowd including whistling, verbal drum beats, clapping, and sing-alongs. He asked one fan to hold the lyrics to a song that he would sing in Japanese as we passed photos from the 70’s that he had found under a rock. Another interesting song was when he invited Frida to do a Finnish song with him. She translated each of the phrases for us and sounded like an instructional language guide converted into a humorous song. The ambience in the room was so engaging and filled with such warm vibes. In the middle of his song “Julie” a surprise 2 person horn section appeared from the back, one standing on the bench with a sax and the other with what I think was a trombone! He closed the set with a song played on a thumb piano that was quite wonderful. I can’t believe how incredible his voice is and left the show so happy and wanting more. This was one of the most unique live experiences I’ve had in NY and one of the best shows I’ve seen at the Mercury Lounge.

Pictures from the show.

Links:
www.fridahyvonen.com/
www.jenslekman.com/

Blood Feathers | Mazarin @ Knitting Factory

Two great Philly bands (the 6th borough) descend to New York to play a show at the Knitting Factory. The Blood Feathers opened up and played a rocking country set with even a square dance number thrown in. After a few songs I realized I’ve seen this band before and they played much better this time around. Theirs songs range from lullabys to clap along country tunes.

So after 10 months of touring Mazarin plays 1 last show before they head into the studio. This show was being recorded for XM so be sure you to look for it. Last time I saw Mazarin at this venue (2 years ago) they played the shortest and worst set I’ve seen in quite awhile so I was very apprehensive tonight. However, with constant touring and a superb new album I was hoping for some improvment. From the first (new) song I new it was going to awesome. They played a bunch of unreleased songs and killer versions off their latest album, “We’re Already There” which was my pick for the best album of 2005. The crowd was OUTRAGEOUS. Mazarin concerts usually consists of the crowd staring at their shoes on acid or other drugs, but tonight people were jumping, dancing, singing, and screaming. I couldn’t believe it, but tonight the band deserved it. They even invited some members of Blood Feathers on stage to play a few tunes together including one of their own. People even started to square dance. They played a super long feedback version of “I’m With You And Constellations” which was euphoric. Not only did they play the longest set ever, they even came out for an encore which I have NEVER witnessed this band do. Although Quentin refused to play my request “Wheats”, he ended with “Louise” and gave me the most fun I’ve ever had on a Monday night.

Links:
www.mazarinband.com/
www.myspace.com/bloodfeathersrockandrollband

Start a band in Brooklyn, everybody’s doin it.

Seems like there’s a documentary about the Brooklyn music scene called “Rockin’ Brooklyn”. Now although I’ll have to say there is no scene here but rather many bands are in one place because they have moved from Manhattan or other cities. Hell, it seems like the entire Chicago scene got up and moved here a few years ago. I’m usually against any establishment naming genres or documenting stuff that is still growing, but it’s good to have a record of this stuff. I’m currently reading “Please Kill Me” which is a history of the Punk movement and it’s great to have documentation for future generations to reference. The bands in the video are a good selection but it just saddens me when I the clip of Sea Ray which unfortunately broke up last year.

Links:
Watch the trailer here
Gothamist write up