X-Ecutioners @ Knitting Factory

This was a perfect show to say good-bye to the institutional Tribeca venu. It’s been a very long time since I last saw this turntable quartet but they did not disappoint. Having DJ Precision in the mix still makes them a dominant force in the hip hop DJ world. However, anytime I can see Roc Raida live is a treat. Made me really miss the Wetlands, where they used to play all the time.

I took one last stroll through the tri-level venue and although I’ve had a bad breakup with the club, I had many amazing expereinces there.  I landed a dream job there after graduating  doing design direction and  producing new media events. We were the first club to broadcast live concert streams and worked on countless video shoots and concert promotions. Although the organization was a mess, somehow we always pulled off the impossible. Over time the Knit became less the go-to place for jazz and experimental music so many of us went to Tonic (which has also recently shut its doors). So another music institution succumbs to the “future of New York”, and I’m left wondering what’s left. Leaving the flier ridden hallways I felt proud to have worked in that building and helped unite so many great bands to eager audiences. Good luck in Brooklyn!

Pictures from the show.

DecaComp is here!

I’m very proud to release the DecaComp. To celebrate the last 10 years of comping the best music of every year, I’ve compiled the last decade into one package, including this year’s 2008 supaComp. I’ve been doing this music curating endeavor for many years and it’s been a labor of love. The many hours scrutinizing what makes it on each year’s compilation always becomes an arduous task, but when it’s complete it’s great to listen to all the great tunes that made the cut. Starting out as an extension of my radio show over 14 years ago, its slowly developed into a yearly exploration of the year’s best and overlooked tunes. The “comps” have always been a celebration of new music and spreading my passion for new and unsigned bands. It’s also a good record of what my personal highlights of the year were and some bands one may have missed. Organizing (and locating) the old comps into the DecaComp was very time consuming but it gave me the chance to relisten to the old comps and go down memory lane. I was lucky to have people return some of the old comps (especially the tape ones) that I had no record of anymore. So I’m very happy to bring it all together and get it into your hands and ears.  And just in time for the holidays for you and your music friends 🙂

Exit Clov | Cloud Cult @ Bowery Ballroom

Exit Clov is a quintet from Washington DC which create springy happy pop music. With sisters leading the sound with violins, keyboards, and brilliant vocal harmonies it’s hard not to be intrigued. Nothing ground breaking in their catchy tunes but the band is very musically talented and very cute. The fact that Emily plays one of my favorite keyboards, the Korg MS2000, deserved checking out their entire set.

I was spoiled to see Cloud Cult at the tiny Union Hall earlier this year in support for one of the best albums of 2008. They promised to be back to their favorite cities including NY, so I made sure to see them again at Bowery. Roberto was among the hard core fans and had this perspective: “I should start by saying that I went into the concert as a relative Cloud Cult newbie.  I left the show with a pair of distinct impressions: (1) these guys sure do make some beautiful, powerful, orchestral-string-heavy music, and (2) their lyrics often come off as heavy-handed and not-all-that inventive (“…have you found where your place is?” *cringe*).  Simply put, I often (not always) was left feeling that I was listening to a band of mature late 20’s-30 somethings playing background music for a pretty talented 17 year old songwriter.  Their on-stage show kept my eye entertained though, especially since I’m a sucker for interesting gimmicks, e.g two artists painting on a pair of canvases all throughout a show.  Overall, it was a pretty super show by a band who for the most part made up for their lyrical flaws by infusing super-solid musicianship and tons of energy.”

Pictures from the show.

http://www.exitclov.com/
http://www.cloudcult.com/

Kaki King | The Mountain Goats @ Music Hall of W.burgh

Wasn’t going to miss the opportunity to see the petite guitar goddess  Kaki King perform in her hometown.  She started off her set with impressive guitar tapping and picking skills and I was quite floored on how talented she was. Although some of her songs wound up being a bit too long and repetitive, her set contained a few live gems.

Finally hitting NY after their release of their latest album Heretic Pride, The Mountain Goats played in the larger NY venues for 2 shows. Despite the sold out audiences, John Darnielle is still able to quiet the audience to a whisper during his songs, and then make them scream out predictable song requests between songs. Although the show was musically entertaining I felt this one didn’t stand up to his recent performances. Performing songs off their Black Pear Tree EP with Kaki KIng, John pushed his songs to unique guitar-driven and jazzy melodies. His intro story to the beautifully bare song “Thank You Mario But Our Princess Is in Another Castle” was very entertaining. “The song is sung from the point of view of Toad. If you know who Toad is, that’s all I’ll need to tell you. If you don’t who Toad is, you better recognize.” However the fact that he didn’t play “Lovecraft in Brooklyn” at a venue IN Brooklyn was a huge disappointment.

Pictures from the show.

http://www.kakiking.com/
http://www.mountain-goats.com/

CMJ Day 4: Vivian Girls | Crystal Antlers | Place To Bury Strangers

After seeing Kirsten earlier in the day I decide to continue the noise rock of the day by closing things off at the late show at Bowery. Unfortunately I just missed Marnie Stern who I wanted to check out. Taking under 10 minutes to set up, the Vivian Girls shyly took the stage to play their lo-fi surf punk noise. I’ve developed a huge crush on Cassie and her spaced out demeanor. She even retorted that she wanted to marry me after I yelled at her during their set. Enjoyable set.

Crystal Antlers is a band you need to see live to fully appreciate them. The sonic spectrum these guys from long beach is impressive. Blending psych, lo-fi, prog and punk into a an energetic set of future music. There was complete chaos on stage but somehow they pulled off an entertaining show with promise of good things to come from them.

Brooklyn’s A Place to Bury Strangers combine classic rock with dark metal to create heavy atmospheres of sound. Although mostly guitar driven their experimental approach to distorted sound adds a heavier and evil slant but never going to far into hell. The best show I’ve seen these guys play thusfar and wanted to just curl up in their reverb finale. A perfect end to CMJ, now it’s time to sleep.

Pictures from the show

http://viviangirlsnyc.blogspot.com/
http://www.myspace.com/crystalantlers
http://www.aplacetoburystrangers.com/

CMJ Day 4: Kirsten Ketsjer @ Cake Shop

Until I got floated a new mp3, I didn’t know anything about this trio from Copenhagen. That song led me to some more live recordings online and I got immediately hooked. The band is very raw and delivers some of the most exciting stuff I’ve heard in awhile. They conjure up the sounds off Sonic Youth with some death metal married with unpredictable sonic structures. I stumbled out of my sleepy hangover to catch them for free during the day and was totally impressed. With just 3 onstage they completely filled the space with such incredible sound. The highlight of CMJ for me.

Pictures from the show.

video from an earlier Cake Shop show.
http://www.myspace.com/kirstenketsjer