Author: admin

The ticket said “An Evening with Broken Social Scene” and it was exactly that. No opening band and music starting at 6:45 and lasting about 2.25 hours. This was 1 of 3 sold out shows at Webster Hall. If any band can fill a room (and stage) with sound, and overcome the terrible sound system at Webster Hall, it would be BSS. I was eager to see them again considering they gave me one of the most memorable live shows of my life and the best concert of 2004.



They played a selection from all their albums including their new one. They played very well and had a had a supportive and very sold out crowd to perform to. Seeing Emily Haines is always a treat and glad she was there. They had a good pace for the long show and never wavered from their enveloping sound. They were able to play “Ibi Dreams of Pavement” surprisingly well live and did a great version of “Lover’s Spit” for their finale. Although a solid show, it didn’t have the same energy as the Bowery show. Wish I could see that one again!

The Clogs were the openers and what I caught from them I thought was really beautiful. Many textured layers flowing in and out. It created a nice soundscape to get lost to. The Bell Orchestre then took the stage featuring members of The Arcade Fire. They were all dressed in white and accented with tiny LED lights attached to various parts of their clothing. It was interesting to hear the sounds and instruments that make up the fabric of sound that is Arcade Fire more in the foreground.

Their songs were a bit more complex and flirted with somewhat experimental compositions. Overall they had a good groove and I enjoyed the various playful actions they performed on stage even if they were not that sonically successful. It’s refreshing to hear new sounds and new ideas in music. At one point the drummer abandons his drums to play the typewriter. For their encore they played with obscure instruments (which seems like the Canadian thing to do these days) such as a portable radio on a feedback loop and attaching effects on the backup sounds. A great show and a decent turn out for a Sunday night.

www.bellorchestre.com

Alhtough I didn’t get home til 3 AM the night before, I mustered enough energy to go to Piano’s to see a bunch of various bands, but specifically The Big Sleep. I even passed on seeing the Editors at the Mercury Lounge. The UK can have them and their hype back. The Big Sleep consists of only 3 people but the sound that they producd is incredibly intense. Conjuring up the dynamism of Godspeed! with the energy and sound of Black Sabbath. The guitarist was stellar and it’s refreshing to see good guitarmanship in a live setting. The bonus was when Aaron Lazar of The Giraffes quietly took the stage and belted out the final song. It was powerful, tense, energetic, and I felt his voice met up to the challenge of the music. With his back turned to the stage he was able to control the intense sound until finally everything just exploded. A powerful band with a huge sound and a force to be reckoned with live. Their recordings don’t do them justice. So far the best NY band I’ve seen this year. A MUST see band live.

Beat The Devil, another trio was on next, and they mixed crazy jazz and bohemian rock. The band centers around Shilpa Ray’s voice and her harmonian instrument. Unfortunately they sucked and she kept reminding us how bad the show was going.

I was convinced not to go see Langhorne Slim at Rothko and stay to see the Lot Six from Boston. They are your typical rock band but far far worse. After hearing lyrics like “I have a big record collection, It gives me a big erection”, I quickly departed cursing that I has lost the last 10 minutes of my life.

Wish I brought my camera. 🙁

The Big Sleep

Just coming back from Buenos Aires, Marta Topferova played an intimate set of songs at Joe’s Pub (which I am hating more and more every time I go there). She played a similar set that I’ve heard before but she did debut a few new songs. Her live shows always stay away from her more dynamic songs found on her albums, so it’s predictably subdued.

Claudia Acuña was much more lively. She is from Chile and she blends Spanish & English songs with Jazz. She even took very traditional songs and gave it a jazzy infusion. Although nothing ground-breaking, a really good live performance.

Afterwards we headed to Nublu, a new club on the outskirts of Alphabet City. It has become a launching pad for local music acts to debut their stuff. It’s essentially 1 floor with the “stage” area in the back. Many musicans and hipsters were lounging around the small space. This night Dub Nomads were playing, starting their set at around 12:30. The band was an eclectic sort mixing dub, reggae, and indie rock. They even continued to play as the cops strolled in seemingly to monitor the place or looking for something (or someone). A few songs later, the fun ended when the cops forced the music to stop and turned on all the lights.

Marta Topferova
Claudia Acuña
NuBlu

SupaComp is finally finished. It’s the biggest and best comp yet, clocking in at 8.5 hours. Editing this comp was very difficult. So much great music came out in 2005. At the last minute I removed 1 song that just wasn’t working and when I burned my master copy it ended up being 697 MG, just barely fitting on my 700 MG blank disk. It was fate. Can’t wait to get started on SupaComp 2006!